The Chest Voice

    As summed up by eighteenth century authorities the ultimate goal of training was not only register unification, but success in combining the registers in such a way as to make the voice appear not only to be of one register, but to reflect the influence of the natural or chest voice.   To quote Giambatista Mancini, “It is a rare case when the two registers are both united into a chest register in one person. This total union is generally produced only by study and the help of art.” Given this emphasis on the chest voice, it is important to understand the dynamics of this register in detail.

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